Saturday 28 June 2014

WHAT IF... Captain America was African American!?

If there's one topic that keeps popping up in terms of superhero movies lately, it's the idea of 'racebent', 'colourblind', or whatever other term you wish to label it with casting. This became something of a minor issue for the original Thor movie, when Heimdall, a character who traditionally looked something like this...


Wound up looking more like this...


And overnight became the number one way of telling who was a petty racist in the world of comic books and the movies that surround them. 

Of course, when the movie came out and the rest of the world saw what anybody who'd seen Idris Elba in anything did with the character, any murmur of the character being the wrong colour was soon forgotten (or at least sidelined to the point where the only rebut you'll ever need is a clip of Elba as Heimdall doing anything on screen) and it's also not the first, or last, time something like this has happened. Say what you like about Daredevil, but Michael Clarke Duncan's portrayal of Kingpin may well be the best representation that character we can hope for. Then of course there was Laurence Fishburne as Perry White in Man of Steel, an actor who sadly wasn't given the time to show us what he could do with that character, and the more high profile casting of Samuel L. Jackson as Nick Fury. Yes, I know it's a direct lift from the Ultimates universe, but still the point still stands. All these actors took on characters that are traditionally seen as white, and not only did the world not come to a horrific end, but the vast majority of them were nothing short of superb. 

Now the debate rides again, coming about as a more high profile white character, the Human Torch, has been cast as black actor Michael B. Jordan. Now I have to admit, I don't really have a horse in this race. The only thing I've seen with Jordan in is Chronicle and that was a movie with problems far beyond it's acting talent. Of course, the new Fantastic Four movie also has problems of it's own beyond the race changing of a single character that worry me, but I've been catching little pieces of the debate from time to time and when I heard that John Byrne had chimed in? Morbid curiosity got the better of me and I decided to go have a look. I refuse to link to that man's forum, but here's a Bleeding Cool link that about covers it. 

Now I have to admit, I went into reading this expecting to roll my eyes at best, or want to punch my monitor at worst, but despite missing the point in places, providing a genuinely awful example of this kind of casting in other kinds of movies and eventually devolving into the worst excesses of comic book fan entitlement that he blames the public representation of fans for in an earlier paragraph there are points I actually agree with him on, and I think it's one of the most sane and reasonable things I've read from the man on this kind of issue. I mean, he didn't brand a whole gender of a single race hookers just for the colour of their hair this time, so it's progress right? I suppose if I really wanted to take him to task, I'd argue that Stan Lee is big enough and old enough to speak up for himself and a man who writes a story about Big Barda being brainwashed into making hardcore pornography is the very last person who should be lecturing others on respecting Jack Kirby's characters. So wheeling out the whole 'Spirit of what Lee and Kirby intended' is just... Bollocks, quite frankly. But I digress. 

The two things I really took away from all this is the complete agreement that Marvel and DC should be doing more to promote their minority characters. Cripes, doing more to promote their female characters would be wonderful. However I don't think giving Nick Fury an obscure, coloured SHIELD agent as a sidekick is really as powerful a step forward as having one of the top black actors of our time playing the character who is most associated with counter-intelligence in the Marvel universe. Yet I do feel like Marvel in particular could be doing so much more with the minority characters they've already introduced. While War Machine and Falcon are unlikely to be able to support their own movies (yet!) I do have to ask, why wasn't War Machine in Avengers? Pepper Potts was, and she's not even Tony's superheroic partner! Or more importantly, why is there seemingly no sign of Falcon in Avengers 2? He was still with Steve at the end of the movie, surely if there's anyone Rodgers would want to have his back it would be the man who helped him save SHIELD from itself simply because it was the right thing to do. 

The other thing Byrne's comments left me pondering was exactly what makes race important to a character, and how interchangeable it is. Hollywood is pretty ruthless with changing nationalities, or casting actors of one nationality to play a character of another, is this really any different? To me, the answer seems to be 'it depends'. Does it really matter what colour Johnny Storm's skin is? Not really, although it would be nice if they cast Sue as the same race. Yes I know even biological siblings can have different skin colour, but to be honest I'd rather they just cast them both black or both white than having to waste movie time explaining why they are as they are. The important part of Storm's character comes from his firebrand, fun loving personality and the powerful bond he shares with his family - And that's something that transcends skin colour. Heck, somebody in the comments on that article mentioned Reed Richards being played by Denzel Washington and I have to admit... I would be all over that. 

But as I climbed down the rabbit hole, there were some characters where a change of skin tone would fundamentally change them at the core. This became most apparent with time locked characters. Technically as leader of the Howling Commandos, this should have been Fury. But naturally you can't have him stealing Cap's shtick on screen, and I think this, more than his race accounts for a lot of the problems with the character Byrne brought up. He doesn't have his history, his dyed in the wool pedigree like he does in the comics - It simply doesn't work here. So really, we know very little about him other than the fact he lurks around the Helicarrier and gives orders. It's something I'd love to see them expand on, and I'm very glad he finally got some great focus in The Winter Soldier.

Speaking of Cap though, how different would that movie have been at it's very core had they cast a black actor as Steve Rodgers? How many social issues would they have had to tackle head on or look silly for straight up ignoring? His back story could almost be untouched, just take on a more poignant element for the fact that not only are big, dumb jocks getting him down for being too weedy to do well... Most anything really, but society itself is telling him he's a second class citizen. So this runty little guy with no prospects whatsoever decides the only way he can make anything of himself is by joining the army. Literally, the only way.

Of course, this is where the movie could perhaps borrow a lot of elements from the backstory of Isaiah Bradley, an African American who was part of a test program to recreate the super soldier program during World War II. Now you might ask why not just make a movie about Isaiah Bradley, then? Because I think there's something inherently more interesting about the government choosing to test their maiden voyage with this project on minorities, and then rolling it out to get their golden haired, blue eyed, perfect Aryans and other assorted pretty white boys once they knew it was safe. The problem with Isaiah Bradley is he's never going to have the same impact as Captain America, because they already have their perfect product. If that initial experiment that Thorin Oakenshield was so discourteous to disrupt with explosions had only produced a single, solitary super soldier - And he was a person of colour? Well, where does the American government go from there?

Can they still use him as a propaganda piece like they did with Rodgers in the movie? Or do they just package him off on secret, behind enemy lines mission and be content they have a pretty powerful weapon in the war - Just one they'd rather not everybody see! You also have to wonder what Cap himself would do. Would he just roll with whatever his military superiors told him to do, or choose to use his new found power and influence to fix some things at home as well as abroad? There's a great sentiment in the first Captain America movie, where after a life of being pushed around and watching other people be pushed around, Steve Rodgers has dedicated the rest of his days to fighting bullies big and small and sees very little difference between Red Skull and his cronies and the big, dumb guys who made his own life hell other than the scale on which they work. What happens when the people who made your life hell have the law on their side in some circumstances? Hrm. 

Now, I just want to be clear I'm not advocating that this movie should be made. I personally find the idea fascinating, and if pulled off well it would definitely be a thought provoking and potentially eye opening piece. But for somebody who's favourite superhero movie so far is, indeed, Captain America the first, it wouldn't really make for a good punchy, dynamic comic book action movie. Plus I'm a big fan of keeping characters true to their source material on a basic level, I like all the core elements and broad brush strokes to be there to make the character recognisable, while film makers can go wild on the less important things. I just think that when it comes to race? If changing it is a big deal or not really does depend on the extent it effects the character. 

Nobody is going to care if Aquaman isn't white. Heck, with the casting of native Hawaiian Jason Momoa as the king of Atlantis I think we're going to confirm that for a fact very soon indeed. He's Atlantean, he could technically be any colour he liked. But when you start messing with characters who have very strong connections to a certain culture, time period or geographical area? Then things start getting tricky, as you risk changing that character beyond recognition. The most obvious examples are the minority characters that already exist to try to bring some diversity to the titles, but if we want to step back to the Fantastic Four, think about Doctor Doom. He's the ruler of a small, Eastern European country through hereditary ties, could he really be anything else than what he is and still have it believable? 

At the end of the day though, it's all about one thing - Casting the best man or woman for the job at any given time, and if comic book movies can keep that up? Like they did with Sam Jackson, Michael C. Duncan and Idris Elba? Yeah, I can be a happy bunny and not get too pent up about this issue. Of course, if they don't, I choose less to think of it as an example of 'forced token casting' ruining our movies, and more just flat out bad casting period. I hope whatever happens with the new Fantastic Four movie, Michael B. Jordan is able to prove he's anything but that. 

No comments:

Post a Comment